Our Daily Bread

King Vidor self-financed this Depression-era drama as a spiritual sequel to *The Crowd*, again following an ordinary young couple — John and Mary Sims (Tom Keene and Karen Morley) — crushed by unemployment. Given a failing farm, they gather a community of displaced tradesmen and try to run it as a cooperative, pooling skills to bring in one last crop. The climax, in which the whole settlement digs a miles-long irrigation ditch in a single night to save the fields, is one of the great sequences of early American cinema — pure rhythmic montage. Made outside the studio system and released through United Artists, the film's copyright was never renewed. It is in the public domain in the United States.