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Yakov Protazanov

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Russian and Soviet film director (1881–1945) whose career spanned the tsarist and Soviet eras. After emigrating briefly following the 1917 revolution, he returned to direct Aelita: Queen of Mars (1924), the landmark of Soviet science fiction celebrated for its constructivist Martian designs, and later the comedy The Tailor from Torzhok (1925).

Directed