Wheeler Oakman

Federal agent Alan O'Connor (Conrad Nagel) goes undercover to crack a gang pulling a string of small-town bank robberies, only to discover his sister (Eleanor Hunt) has unknowingly become engaged to the gang's smooth-talking ringleader. Directed by Louis J. Gasnier — the man behind Reefer Madness — for Grand National Pictures, it's a brisk G-man B-picture from the era when J. Edgar Hoover's bureau was Hollywood's favorite source of heroes. The film is in the public domain.

Crime · Drama

Mabel Normand's only feature-length production, made under the banner of the Mabel Normand Feature Film Company, a short-lived division of Mack Sennett's Keystone studio. Normand plays Mickey, a tomboyish orphan raised in a western mining camp who is sent to live with her aunt in New York society. The film's production was troubled — it was begun in 1916, halted by Normand's illness, and then shelved for nearly two years because distributors thought it was a flop. When it finally screened at a small theater in Bayside, Long Island, it became a surprise smash, eventually grossing millions and proving that Normand could carry a feature as easily as a two-reel comedy. As a work published before 1930, the film is in the public domain in the United States.

Comedy · Drama · Silent

Bela Lugosi at his most committedly absurd: Dr. James Brewster, a scientist whose experiments with ape glands have turned him into a stooped, shaggy ape-man who must harvest human spinal fluid to stay alive. Wallace Ford and Louise Currie play the reporters who stumble onto the story, and Henry Hall wanders through as the creepiest character in the picture — a mysterious man who keeps appearing to comment on events. Shot in a week for Monogram under William Beaudine, it is cheap even by poverty-row standards, but Lugosi plays the degradation with real conviction, and the final twist is genuinely strange. The film entered the public domain through non-renewal of copyright.

Horror · Sci-Fi