Wesley Ruggles

A pre-Code musical film directed by Wesley Ruggles, and the first film produced by RKO Radio Pictures. Betty Compson plays Frederika, a homeless young woman taken in by a four-piece band led by Mike Fall (John Harron). She becomes their manager and guides them to success, but romantic complications ensue when a prince takes an interest in her. Jack Oakie co-stars as band member Joe Spring. The film was a box office hit, accounting for nearly half of RKO's profits for the year. As a work published before 1930, it is in the public domain.

Musical · Drama · Romance

A 1920 American silent adventure romance film directed by Wesley Ruggles, starring Louise Glaum and House Peters. British secret agent John Culbertson (Peters) leads a safari from Bajuma to the kingdom of M'tela in Africa. Bound by oath to prevent him from reaching it is Madame (Glaum), a secret agent of a rival government known as "the Leopard Woman." When their safaris meet in the desert, Madame is forced to accept Culbertson's aid and unwittingly falls in love with him. After he scorns her, she orders her servant Chaké (Noble Johnson) to kill him — but when the attempt fails, she is secretly relieved. Based on the 1916 novel by Stewart Edward White, with location shooting in Palm Springs, California.

Adventure · Romance

A 1925 American silent romantic comedy directed by Wesley Ruggles, starring Clara Bow, Donald Keith, and Gilbert Roland. Based on Percy Marks's best-selling 1924 novel about college life at a fictional "Sanford College," the film follows Hugh Carver, a freshman and championship runner who falls for Cynthia Day (Bow), a popular party girl, and finds it impossible to please her while keeping up with his studies and athletic training. The Plastic Age was Clara Bow's first major hit and helped jumpstart her meteoric rise to stardom. The film features early uncredited appearances by Clark Gable, Janet Gaynor, and Carole Lombard.

Comedy · Romance

Chaplin's last film for Essanay before he jumped to Mutual for ten times the salary. Released from prison, Chaplin's ex-convict is determined to go straight, but the world won't let him: a bogus parson swindles him out of what little money he has, and an old cellmate ropes him into a bungled burglary. Inside the house, the family's daughter (Edna Purviance) takes pity on the would-be thief, giving the short a surprising streak of sympathy for its outcast hero. Less frenetic than the earlier Essanays, Police points toward the blend of slapstick and sentiment Chaplin would perfect at Mutual. As a work published before 1930, it is in the public domain in the United States.

Comedy · Silent