Ronald Colman

A 1929 American pre-Code crime film in which Hugh "Bulldog" Drummond helps a young woman in distress. Ronald Colman stars as the title character in his first talking picture, a role that earned him an Academy Award nomination for Best Actor. Claud Allister plays his loyal friend Algy Longworth, while Montagu Love plays the villain Carl Peterson and Lawrence Grant plays his accomplice Dr. Lakington. Joan Bennett appears as Phyllis Benton, the young woman whose plea for help sets the plot in motion. Produced by Samuel Goldwyn and directed by F. Richard Jones, the film was adapted by Sidney Howard from the 1921 play by H. C. McNeile. The film is in the public domain.

Crime · Mystery · Thriller

Ernst Lubitsch's silent adaptation of Oscar Wilde's play about a respectable woman who suspects her husband of infidelity, receives a fan as a birthday gift, and finds herself at a party where the fan becomes the center of a misunderstanding that threatens her reputation. Lubitsch, working without dialogue, strips the play to its emotional mechanics and lets gesture, glance, and editing carry the wit. The result is a showcase for the "Lubitsch touch," the blend of sophistication and feeling that defined his career. Ronald Colman plays the husband and May McAvoy the wife. Published in 1925, it is in the public domain in the United States.

Drama · Romance · Silent

A 1930 American pre-Code comedy-mystery film produced by Samuel Goldwyn and directed by George Fitzmaurice. Ronald Colman stars as A.J. Raffles, a distinguished English gentleman who leads a secret life as the notorious jewel thief the press has dubbed "The Amateur Cracksman." When Raffles falls in love with Gwen (Kay Francis), he decides to retire from crime, but an old friend, Bunny (Bramwell Fletcher), comes to him with a predicament that entails committing one last job. The film is based on the 1906 play by E. W. Hornung and Eugene Wiley Presbrey, adapted from Hornung's 1899 short story collection. Oscar Lagerstrom was nominated for an Academy Award for Best Sound Recording. The film is in the public domain.

Crime · Comedy · Mystery · Romance

Henry King's adaptation of George Eliot's novel was filmed on location in Florence, giving this tale of Renaissance intrigue an authenticity Hollywood couldn't build on a backlot. Lillian Gish plays Romola, the scholar's daughter whose world collapses when she discovers her charming husband Tito (a young William Powell in an early villainous role) has betrayed her father, secretly wed the trusting Tessa (Dorothy Gish), and sold his loyalty to Savonarola's enemies. Ronald Colman co-stars as the principled Carlo Bucellini. The climactic bonfire of the vanities — with the real Piazza della Signoria standing in for itself — makes the film a lavish time capsule of 1920s prestige filmmaking. Published in 1924, it is in the public domain in the United States.

Drama · Romance · Silent

A small-town woman marries a wealthy man, finds herself out of place in his social world, and eventually sacrifices her own happiness for the sake of her daughter's future. Belle Bennett gives the definitive performance of the mother who, recognizing that her daughter will have a better life without her, steps aside and lets the girl's father and his new wife raise her. Ronald Colman plays the husband, and Lois Moran the daughter who grows up ashamed of her mother and then too late realizes what she has lost. Henry King directs with the emotional directness that made the film a major hit. The story was filmed again in 1937 with Barbara Stanwyck. Published in 1925, it is in the public domain in the United States.

Drama · Romance · Silent

A 1930 American pre-Code romantic comedy directed by George Fitzmaurice and starring Ronald Colman, Loretta Young, Myrna Loy, and Frederick Kerr. Written by Frederick Lonsdale and Benjamin Glazer, the film follows spendthrift Willie Hale (Colman), who returns penniless to his family home in London and smooth-talks his father into letting him stay. At the same time, he turns the charm on Dorothy Hope (Young), whose father is big in linoleum and who was about to become engaged to a Russian aristocrat. Produced by Samuel Goldwyn, the film features cinematography by George Barnes and Gregg Toland. The film entered the public domain due to non-renewal of its copyright.

Comedy · Romance