Richard Dix

The fifth of Columbia's Whistler films. A shady private detective named Don Gale is hired by an old shopkeeper to find a young woman from his past so he can leave her a fortune, but the case is a setup, and Gale is soon framed for murder. As the Whistler's narration reminds us, the detective's own greed set the trap, and the film watches him scramble to stay ahead of the police and the real killer. Richard Dix plays his seventh Whistler lead, with Barton MacLane as the cop on his trail and Mike Mazurki as a menacing thug. William Castle directed. Released in 1946, the film is in the public domain in the United States.

Mystery · Noir · Crime

The second of Columbia's eight Whistler films, drawn from the popular radio mystery series in which an unseen narrator who "knows many things" walks the listener through a story of fate and guilt. Richard Dix plays a drifter who stumbles into a dormant bank account left in his name by a dead man, and tries to pass himself off as the depositor's long-lost son to collect the money. The scheme draws in a woman who may know more than she lets on and a killer waiting in the background. William Castle directed, working from a Cornell Woolrich story, and the film carries Woolrich's signature dread of ordinary people trapped by coincidence. Released in 1944, the film is in the public domain in the United States.

Mystery · Noir · Crime

Cecil B. DeMille's first pass at the story he would remake in 1956, and the most expensive American film up to that time. The picture is built in two halves: a biblical prologue telling the story of Moses, from the bulrushes to the giving of the law on Mount Sinai, and a modern parable about two brothers, one who keeps the commandments and one who breaks them. The prologue is the part everyone remembers, with the Exodus staged on a vast scale, the parting of the Red Sea done with a clever combination of miniatures and reversed footage, and Theodore Roberts playing Moses as a bearded patriarch. The modern story, starring Richard Dix and Leatrice Joy, is a morality play about a corrupt contractor who ignores his mother's teachings. DeMille built full-scale Egyptian sets in the Guadalupe-Nipomo Dunes in California and left the buried sphinxes there for archaeologists to dig up decades later. The film was a huge hit and saved Famous Players-Lasky from a slump. Its copyright expired at the end of its first term, and it entered the public domain in the United States on January 1, 2019, along with the other 1923 works.

Drama · Religious · Silent · Epic