Paul Wegener

The surviving masterpiece of German expressionist horror. In 16th century Prague, Rabbi Loew (Albert Steinrück) sculpts a giant of clay and brings it to life with a magic word to defend the ghetto from an imperial decree of expulsion — but the Golem (Paul Wegener, who co-directed with Carl Boese) will not remain a servant. The staggered Expressionist sets, built like crooked clay houses, and the creation sequence's Kabbalistic ritual became templates for Frankenstein and every creature feature after. This was Wegener's third Golem film and the only one to survive substantially intact. A century on, it remains genuinely uncanny. Published in 1920, it is in the public domain in the United States.

Horror · Fantasy · Silent

The surviving masterpiece of German expressionist horror. In 16th century Prague, Rabbi Loew (Albert Steinrück) sculpts a giant of clay and brings it to life with a magic word to defend the ghetto from an imperial decree of expulsion — but the Golem (Paul Wegener, who co-directed with Carl Boese) will not remain a servant. The staggered Expressionist sets, built like crooked clay houses, and the creation sequence's Kabbalistic ritual became templates for Frankenstein and every creature feature after. This was Wegener's third Golem film and the only one to survive substantially intact. A century on, it remains genuinely uncanny. Published in 1920, it is in the public domain in the United States.

Horror · Fantasy · Silent