Paul Fejos
2 credits on HibingeTV
Hungarian-born film director who worked in Hollywood in the late 1920s. Born in 1897, he directed several innovative films for Universal, including Lonesome (1928) and Broadway (1929), the latter notable for its inventive camera work using a specially built crane. He later returned to Europe and eventually became an anthropologist.
Directed

Musical, Crime
A 1929 American musical crime film directed by Paul Fejos from the 1926 play of the same name by George Abbott and Philip Dunning. Universal's first talking picture with Technicolor sequences, Broadway follows the backstage drama of a Paradise Nightclub choreographer Roy (Glenn Tryon) and his dancer girlfriend Billie Moore (Merna Kennedy), who try to avoid the criminal element running the club. Evelyn Brent plays Pearl, a woman tied to the nightclub's gangster owner. Director Fejos developed a special crane capable of moving the extremely cumbersome camera at 600 feet per minute, giving the film inventive camera work that contrasts sharply with the mostly static musicals of the 1928-30 period. The film was produced by Carl Laemmle Jr. and distributed by Universal Studios. The film is in the public domain.
Musical · Crime · Drama
Broadway
1929 - Musical

Drama, Romance
Paul Fejos's lyrical tone poem about two lonely strangers in New York City who meet at Coney Island and fall in love over the course of a single day, only to be separated by the crowd and the city's relentless pace. Glenn Tryon and Barbara Kent play the unnamed couple, whose brief connection stands in vivid contrast to the mechanized urban world around them. The film features early Technicolor sequences at Coney Island and brief synchronized sound dialogue scenes, making it a fascinating transitional work between the silent and sound eras. As a work published before 1930, it is in the public domain in the United States.
Drama · Romance · Silent
Lonesome
1928 - Drama