Patsy Ruth Miller

Alla Nazimova produces and stars as Marguerite Gautier, the doomed Parisian courtesan, opposite Rudolph Valentino's Armand Duval in this stylized silent adaptation of Alexandre Dumas fils' La Dame aux Camélias. Directed by Ray C. Smallwood from June Mathis's scenario, the film transplants the story to 1920s Paris and surrounds it with lavish Art Deco sets by Natacha Rambova, whom Valentino would marry. The film is in the public domain in the United States.

Drama · Romance · Silent

A silent comedy directed by Ernst Lubitsch for Warner Bros. Dr. Paul Giraud (Monte Blue), a respectable Parisian physician, and his wife Suzanne (Patsy Ruth Miller) become entangled in a web of romantic misunderstandings when a flirtatious dancer and her husband move into their apartment building. The film is a showcase for the "Lubitsch Touch"—the director's trademark blend of sophisticated wit, sexual innuendo, and elegant visual storytelling. The famous dance sequence, where the characters' increasingly frantic movements mirror their emotional confusion, is one of Lubitsch's most celebrated silent set pieces. The film is in the public domain.

Comedy · Silent

A champion harness racer who scorns the automobile watches the new machine eclipse the old ways and his own son take up racing cars. Racing legend Barney Oldfield appears in this part-sound Warner Bros. comedy-drama about the dawn of the automotive age. The film entered the public domain through non-renewal.

Comedy · Drama

The most ambitious American silent production to that point, and the film that proved Universal could mount a spectacle. Lon Chaney plays Quasimodo, the deaf, deformed bell-ringer of Notre Dame, who falls in love with the kind gypsy dancer Esmeralda and tries to protect her from the forces closing in around her: a lecherous archdeacon, a treacherous captain, and the beggar king Clopin. Chaney designed his own horrific makeup, contorted his body under a 72-pound hump, and hung by a rope from the cathedral's towers for real. The Paris sets were built full-scale on the Universal lot and helped define the look of the studio for decades. The film was a huge hit and saved Universal from financial trouble. Its copyright was not renewed at the end of its first term, and it entered the public domain in the United States in 1951.

Romance · Drama · Silent