Montagu Love

A 1929 American pre-Code crime film in which Hugh "Bulldog" Drummond helps a young woman in distress. Ronald Colman stars as the title character in his first talking picture, a role that earned him an Academy Award nomination for Best Actor. Claud Allister plays his loyal friend Algy Longworth, while Montagu Love plays the villain Carl Peterson and Lawrence Grant plays his accomplice Dr. Lakington. Joan Bennett appears as Phyllis Benton, the young woman whose plea for help sets the plot in motion. Produced by Samuel Goldwyn and directed by F. Richard Jones, the film was adapted by Sidney Howard from the 1921 play by H. C. McNeile. The film is in the public domain.

Crime · Mystery · Thriller

John Barrymore at the peak of his matinee-idol powers, swashbuckling through Borgia-era Italy as the legendary lover. Directed by Alan Crosland for Warner Bros., it's a lavish silent spectacle — duels, dungeons, and Lucrezia Borgia herself — but its place in history is technical: Don Juan was the first feature released with a synchronized Vitaphone musical score and sound effects, the experiment that led directly to The Jazz Singer a year later. Mary Astor and a young Myrna Loy are among the women pursued through its nearly two hours. As a work published before 1930, it is in the public domain in the United States.

Adventure · Romance · Silent

A pre-Code spy drama set at Gibraltar during the First World War, where a pair of German agents posing as a British officer and a family friend plot to seize the key to the harbor's mine field, each unaware of the other's true loyalty. Betty Compson and Ralph Forbes star, with Montagu Love as the governor and Mischa Auer as the Hindu servant who unmasks them. Directed by effects pioneer Roy Pomeroy for RKO from Earl Derr Biggers' 1915 play, the film entered the public domain in the United States when its copyright was not renewed after 28 years.

Drama · War

A 1929 American part-talkie science fiction film directed by Lucien Hubbard, based on Jules Verne's 1874 novel. Photographed largely in two-color Technicolor, the film follows Count Andre Dakkar (Lionel Barrymore), a benevolent scientist who has built a submarine on his volcanic island near the kingdom of Hetvia. When the despotic Baron Falon overruns the island, Dakkar's daughter Sonia and her fiancé Nicolai Roget pilot the submarine on its maiden voyage. Pursued by Falon in a second submarine, both craft dive to the ocean floor and discover a strange land populated by dragons, giant squid, and an undiscovered humanoid race. The film was a lavish MGM production budgeted at over $1 million, with additional direction by Maurice Tourneur and Benjamin Christensen.

Sci-Fi · Adventure · Fantasy

Valentino's final film, released two weeks after his death from peritonitis at thirty-one. He plays a double role: the aging Sheik Ahmed and his hot-blooded son, who falls for Yasmin, a dancing girl, and is tricked by a band of outlaws into believing she betrayed him. The younger Ahmed abducts her in revenge, and the story plays out as a compressed echo of the first film, sharper and a little harder. Vilma Banky is a strong match for Valentino, and the desert photography has a clean, harsh beauty. The film was selected for the National Film Registry in 2003. Long held under copyright by the Copyright Term Extension Act, it entered the public domain in the United States on January 1, 2022, and is now freely watchable.

Romance · Adventure · Silent

A young woman from Virginia moves to her cousin's ranch on the western prairie, where the constant wind drives her to the edge of madness. Lillian Gish conceived the project herself, chose the novel, hired her leading man Lars Hanson, and assigned Victor Sjostrom (credited as Victor Seastrom) to direct, reuniting the team from The Scarlet Letter. The film was shot in the Mojave Desert with wind machines blasting the cast for days, and Gish's performance in the climactic sandstorm is one of the most physically committed in silent cinema. MGM forced a more hopeful ending than the novel's, but the film's power is in the imagery of a woman swallowed by an empty landscape. The Wind was selected for the National Film Registry in 1993. The film entered the public domain in the United States in 2024.

Drama · Western · Silent