Mary Philbin

A 1927 American silent romantic drama directed by Edward Sloman, based on the 1915 play Lea Lyon by Alexander Brody. The film stars Mary Philbin as Lea Lyon, daughter of a rabbi in a Galician town near the Russian border, and Ivan Mosjukine as Constantine, a Russian prince. When war is declared and the Russians occupy the town, Constantine demands Lea surrender to him, threatening to burn the village and its inhabitants. Impressed by her character, the prince discovers he loves her and spares both the town and the girl. This was Mosjukine's only American film — a major star of Russian and French silent cinema, he never made another Hollywood picture.

Drama · Romance · War

Paul Leni's adaptation of the Victor Hugo novel, made at Universal during the silent horror boom that followed The Phantom of the Opera. Conrad Veidt plays Gwynplaine, a nobleman disfigured as a child with a permanent carved grin, who becomes a fairground attraction and falls for the blind girl Dea. Veidt's fixed, grotesque smile is the image the film is remembered for, and it is widely cited as a visual reference for the Joker in Batman. Leni, a German Expressionist who came to Hollywood to design for the screen, fills the frame with baroque shadows and carnival imagery. He died of sepsis the year the film was released, making this one of his last works. The 1928 film entered the United States public domain on January 1, 2024.

Drama · Horror · Romance · Silent

A disfigured composer named Erik lives in the catacombs beneath the Paris Opera House and falls in love with Christine, a young soprano he secretly trains. When she lifts his mask, he kidnaps her, and her fiancé Raoul descends into the cellars to find her. Lon Chaney designed his own makeup for the role, including wires to distort his nose and a technique that has never been fully reproduced. The unmasking scene, when the audience first sees his face, is one of the most famous moments in silent film; some theaters reportedly kept smelling salts on hand for audience members who fainted. The film was Universal's first horror production and helped establish the genre as a studio staple. The famous two-strip Technicolor ball sequence is included in this print. The film is in the public domain as a pre-1930 work.

Horror · Silent