Mae Marsh

A D.W. Griffith silent feature built around the life of John Howard Payne, the impoverished songwriter who wrote "Home, Sweet Home," and three episodic stories in which the song redeems its hearers. Henry B. Walthall plays Payne, with Lillian Gish, Mae Marsh, and Robert Harron in the surrounding tales. Shot by G.W. Bitzer and advertised at the time as the first "all-star" cast, the film was produced at the Reliance-Majestic studio and distributed by Mutual. As a work published before 1930, it is in the public domain in the United States.

Drama · Silent

An orphan abandoned on a Friday the thirteenth grows up believing she is cursed, and a string of mishaps seems to prove it, until she rescues a fellow orphan from a fire and is adopted by a grieving couple. Mae Marsh plays the superstitious heroine with the naturalness Griffith prized, opposite Robert Harron as the boy next door. Written and supervised by D.W. Griffith and directed by Lloyd Ingraham for the Fine Arts Film Company, the comedy-drama was released through Triangle. As a work published before 1930, it is in the public domain in the United States.

Comedy · Drama · Silent

D.W. Griffith's mammoth reply to the criticism of The Birth of a Nation, intercutting four stories of intolerance across the ages: the fall of Babylon, the crucifixion of Christ, the St. Bartholomew's Day massacre, and a modern labor conflict. The Babylonian sets, with their towering walls and armies of extras, remain among the largest ever built, and the cross-cutting between the strands influenced nearly every epic that followed. Lillian Gish, Mae Marsh, Robert Harron, and Constance Talmadge lead the enormous cast. As a work published before 1930, the film is in the public domain in the United States.

Drama · History · Silent

D.W. Griffith's Civil War and Reconstruction epic was the first true blockbuster — the film that proved the feature-length movie could be a mass cultural event. Its technical innovations in cross-cutting, night photography, and large-scale battle staging reshaped the language of cinema. It is also infamous propaganda: adapted from Thomas Dixon's novel *The Clansman*, it depicts the Ku Klux Klan as heroic saviors and portrays Black characters — mostly white actors in blackface — through vicious racist caricature. The film sparked protests led by the newly formed NAACP and helped inspire the Klan's real-world revival. It is presented here as a historically significant work that must be understood in that context. Published in 1915, it is in the public domain in the United States.

Drama · History · War · Silent