Lloyd Bacon

A pre-Code drama from First National, directed by Lloyd Bacon and adapted from the London play *Fame* by Audrey and Waverly Carter. Billie Dove plays Lady Patricia Hanley, a wealthy heiress who defies her family to marry Paul Gherardi, a struggling Italian violinist played by Basil Rathbone. As Paul's career falters and his pride festers, he falls into the orbit of Countess Olga Balakireff, a glamorous noblewoman played by Kay Francis, who seduces him as much for sport as for love. The film is a showcase for its three leads: Dove, the former Ziegfeld beauty; Rathbone, borrowed from MGM and years away from his Sherlock Holmes fame; and Francis, who steals the picture as the cool, predatory countess and would become one of the 1930s' biggest stars. Published in 1930, the film entered the public domain in the United States on January 1, 2026.

Drama · Romance

A spoiled heiress marries a working-class steel man on a whim and sets out to remake him into a society ornament, driving him toward a breaking point. Dorothy Mackaill and Joel McCrea star in this pre-Code class-and-gender drama. The film entered the public domain through non-renewal.

Drama · Comedy

A 1929 American pre-Code musical drama film directed by Lloyd Bacon, starring Al Jolson and Davey Lee. Joe Lane (Jolson), a radio entertainer and songwriter, learns that studio manager Arthur Phillips has made improper advances to his wife, Katherine (Marian Nixon). Infuriated, Lane engages him in a fight, and the encounter results in Phillips' accidental death. Joe goes to prison and insists that Katherine divorce him for her and their son's sake. When Joe is released, he visits his son, Little Pal (Lee), at school — but the boy follows him downtown and is struck by a truck, causing paralysis of his legs and loss of his voice. This was a follow-up to The Singing Fool (1928), reuniting Jolson with child star Davey Lee, and was the first film in which Jolson did not appear in blackface.

Drama · Musical

The follow-up to The Jazz Singer, and the film that actually proved the talkie was a business. Al Jolson plays a waiter who becomes a singing star, marries a woman who leaves him, and loses himself in grief over his young son. The plot is melodrama, but the film's real draw was Jolson singing, and "Sonny Boy" became one of the first songs from a movie to become a hit record on its own. Where The Jazz Singer was mostly silent with a few sung sequences, The Singing Fool leans harder into synchronized dialogue and music, and it outgrossed its predecessor. Warner Bros. built its early sound strategy on films like this, and Jolson's stage-trained, directly-to-camera performing style set the template for early talkie musicals. The 1928 film entered the United States public domain on January 1, 2024.

Musical · Drama