Laura La Plante

A lavish two-color Technicolor revue built around bandleader Paul Whiteman, then billed as the "King of Jazz." Stage veteran John Murray Anderson transferred his flair for spectacle to the screen with a parade of musical numbers, comedy sketches, and dance routines. The film is notable as the feature debut of Bing Crosby, who appears with the Rhythm Boys vocal trio, and for its ambitious staging of George Gershwin's Rhapsody in Blue, which Whiteman had premiered in 1924. The two-color Technicolor gives the whole thing a pastel dreaminess that is part of its charm. Published in 1930, the film entered the public domain in the United States on January 1, 2026.

Musical · Comedy

The 1929 Show Boat was the first film adaptation of Edna Ferber's 1926 novel, produced by Carl Laemmle at Universal Pictures and directed by Harry A. Pollard. Laura La Plante stars as Magnolia Hawks, the daughter of a show boat captain, who falls for the gambler Gaylord Ravenal (Joseph Schildkraut). The film incorporates songs from Jerome Kern and Oscar Hammerstein II's 1927 stage musical, including "Ol' Man River" and "Can't Help Lovin' Dat Man." Made during the transition to sound, the film is a part-talkie with both silent intertitles and sound sequences. As a work published before 1930, it is in the public domain in the United States.

Drama · Musical · Romance

Smouldering Fires is a silent drama directed by Clarence Brown for Universal Pictures. Pauline Frederick stars as Aurelie Kimball, a successful businesswoman whose much younger secretary (Laura La Plante) catches the eye of her husband, setting in motion a story of jealousy, desire, and self-discovery. The film explores the tensions between age, ambition, and romantic longing with a subtlety characteristic of Brown's direction. As a work published before 1930, it is in the public domain in the United States.

Drama · Romance · Silent

The relatives of the eccentric Cyrus West gather at his brooding mansion twenty years after his death to hear the reading of his will. The heir is Annabelle West, but only if she is deemed sane; otherwise the fortune passes to a successor whose name is sealed in an envelope. Before the lawyer can reveal it, he disappears, and the night brings secret passages, a escaped lunatic known as the Cat, and a growing sense that someone in the house is not what they seem. Paul Leni, a German Expressionist director who came to Hollywood late in his career, blended stylized shadows with broad comedy in a way that defined the "old dark house" genre for decades. The film was a cornerstone of Universal's early horror line and a direct influence on the 1939 Bob Hope remake. Pre-1930 films are in the public domain in the United States.

Horror · Comedy · Silent