Josef von Sternberg

Josef von Sternberg's first Hollywood film with Marlene Dietrich, made immediately after The Blue Angel launched her to stardom. She plays Amy Jolly, a cabaret singer who arrives in Morocco with no money and fewer illusions, and falls for a Legionnaire played by Gary Cooper. Adolphe Menjou is the wealthy man who offers her everything except the one thing she wants. The film is famous for Dietrich's performance in a man's tailcoat, kissing a woman in the audience, a scene considered scandalous in 1930. Lee Garmes's photography wraps the desert and the nightclub in the same haze of smoke and shadow. Dietrich received the only Academy Award nomination of her career for this role. Published in 1930, it entered the public domain in the United States on January 1, 2026.

Romance · Drama · War

Josef von Sternberg's adaptation of Heinrich Mann's novel Professor Unrat follows a respectable schoolteacher, Immanuel Rath, who is undone by his infatuation with Lola Lola, the cabaret singer at the Blue Angel. Emil Jannings plays the professor's descent from authority to humiliation, and Marlene Dietrich, in her breakthrough role, introduces "Falling in Love Again (Can't Help It)." Von Sternberg's command of light and shadow gives the cabaret scenes a smoky opulence that defined his style. The film made Dietrich an international star and launched her seven-film collaboration with von Sternberg in Hollywood. Published in 1930, it entered the public domain in the United States on January 1, 2026.

Drama · Music

A roughneck stoker on a coal-fired ship comes ashore for a single night in New York and falls for a dance-hall girl who is trying to kill herself. Josef von Sternberg's fog-shrouded portrait of the waterfront is one of the most exquisitely photographed films of the silent era, with Harold Rosson's cinematography and Hans Dreier's expressionist sets creating a world of smoke, steam, and shadow. George Bancroft is the brawling stoker and Betty Compson the weary dance-hall girl, and the film follows their brief, doomed romance through a single shore leave. The Docks of New York was selected for the National Film Registry in 1999. The film entered the public domain in the United States in 2024.

Drama · Romance · Silent

Josef von Sternberg's first American film with Emil Jannings, made the year before they would make The Blue Angel together. Jannings plays a deposed Russian grand duke who has fled the Revolution and now scrapes by as a Hollywood extra, hired to play a general in a film about his own downfall. The role-within-a-role lets Jannings collapse the distance between his past authority and present humiliation, and the framing device is what the film is built on. William Powell plays the revolutionary who once served him and now directs him. The Last Command is a film about cinema's power to re-stage a life, and it earned Jannings the first Academy Award for Best Actor. The 1928 film entered the United States public domain on January 1, 2024.

Drama · War · Silent

A pre-Code proto-noir directed by Josef von Sternberg, notable for its pioneering use of early sound technology and expressionistic visuals. George Bancroft plays Thunderbolt Jim Lang, a condemned gangster on death row who plots to kill the young man (Richard Arlen) in the next cell for stealing his girlfriend (Fay Wray). Bancroft received an Academy Award nomination for Best Actor at the second Academy Awards ceremony in 1930. The screenplay was written by Jules Furthman with dialogue by Herman J. Mankiewicz. As a work published before 1930, the film is in the public domain in the United States.

Crime · Drama

Underworld is the film that launched the American gangster genre. Josef von Sternberg directed it from a story by Ben Hecht, who would win the first Academy Award for Best Original Story the year the awards began. George Bancroft plays Bull Weed, a criminal kingpin whose jealous devotion to his moll, Feathers, drags him into a war with a rival and the law. Evelyn Brent is the woman caught between the gangster and the alcoholic lawyer he befriends. Von Sternberg's camera work is fluid and expressive, already showing the style he would bring to his films with Marlene Dietrich. The film entered the public domain in the United States on January 1, 2023.

Crime · Drama · Silent