Iris Adrian

In 19th-century Paris, puppeteer and portrait painter Gaston Morrell strangles the models who pose for him, while police hunt the killer the newspapers call Bluebeard. John Carradine gives one of his finest performances as the tormented Morrell, with Jean Parker as the dressmaker who loves him and Nils Asther as the inspector on his trail. Made on a five-day PRC schedule, it's poverty-row stylist Edgar G. Ulmer's most admired film — moody, literate, and shot with genuine atmosphere. It is in the public domain after its copyright was not renewed.

Crime · Horror · Noir

Striptease artist Dixie Daisy is riding out backstage feuds and fending off brash comic Biff Brannigan when a string of murders starts picking off her fellow dancers one by one — and she's next on the list. Barbara Stanwyck leads the wisecracking company in William A. Wellman's adaptation of Gypsy Rose Lee's novel The G-String Murders, with Michael O'Shea, Iris Adrian, and a backstage world rendered with real backstage bite. It is in the public domain after its copyright was not renewed.

Comedy · Mystery · Music

The East Side Kids — Muggs (Leo Gorcey), Glimpy (Huntz Hall), and the gang — rescue millionaire John Cortland from a mugging, and his gratitude lands them in a world of swank they were never built for. The good turn sours when the boys discover a friend has been recruited by the crooks behind a string of robberies, and Muggs has to choose between loyalty and doing right. One of the tighter entries in Monogram's long-running East Side Kids series, with the usual mix of slapstick, Bowery slang, and last-reel fisticuffs under series regular Wallace Fox. Sam Katzman produced, as he did for most of the gang's pictures. The film entered the public domain through non-renewal of copyright.

Comedy · Crime

Hat-check girl Judy Peabody (Betty Hutton) pulls a drowning millionaire (Barry Fitzgerald) out of the water, and he repays her anonymously with a bank account, a swanky apartment, and unlimited credit. The only catch: her GI boyfriend Danny (Don DeFore) comes home and assumes the worst. A breezy Paramount Cinderella story produced by Buddy DeSylva — who also co-wrote the score — with Robert Benchley and real-life Stork Club owner Sherman Billingsley along for the ride. Hutton's "Doctor, Lawyer, Indian Chief" became a hit. The film is in the public domain.

Comedy · Musical