George Nichols

A silent Keystone comedy starring Roscoe "Fatty" Arbuckle, directed by George Nichols. After Fatty rescues the police commissioner's daughter from drowning, he is rewarded with a position on the police force. His enthusiasm far exceeds his competence, and his attempts to enforce the law result in chaos. The film showcases Arbuckle's remarkable physical agility—his size belied a cat-like grace that made him one of silent comedy's most gifted performers. Made during Arbuckle's early Keystone period under Mack Sennett, the film features the kind of rough-and-tumble slapstick that defined the studio's output. The film is in the public domain.

Comedy · Silent

One of the earliest screen adaptations of Henrik Ibsen, this silent film was produced by D.W. Griffith and directed by George Nichols. Henry B. Walthall, fresh from *The Birth of a Nation*, plays a dual role as both Captain Arling, a dissolute father, and Oswald, the grown son who inherits his father's alcoholism and disease. When Oswald falls in love with the family maid, Regina, not knowing she is his half-sister, the family doctor intervenes to stop the marriage, and the sins of the father are visited upon the son. Erich von Stroheim, then a young technical assistant at Griffith's studio, served as wardrobe assistant and appeared in a bit part. The film was rereleased in 1919 under the title *The Curse*. As a work published before 1930, the film is in the public domain in the United States.

Drama · Silent

Mabel Normand's only feature-length production, made under the banner of the Mabel Normand Feature Film Company, a short-lived division of Mack Sennett's Keystone studio. Normand plays Mickey, a tomboyish orphan raised in a western mining camp who is sent to live with her aunt in New York society. The film's production was troubled — it was begun in 1916, halted by Normand's illness, and then shelved for nearly two years because distributors thought it was a flop. When it finally screened at a small theater in Bayside, Long Island, it became a surprise smash, eventually grossing millions and proving that Normand could carry a feature as easily as a two-reel comedy. As a work published before 1930, the film is in the public domain in the United States.

Comedy · Drama · Silent