George 'Gabby' Hayes

Bad Man of Deadwood is a 1941 Republic Pictures western directed by Joseph Kane, starring Roy Rogers and George "Gabby" Hayes. Rogers plays sharpshooter Brett Starr, who rolls into the town of Deadwood with Professor Blackstone's traveling medicine show, alongside singer Sally Payne. The show's tuneful pitch gets a hostile reception from the crooked businessmen who run the town and the hired guns who enforce their rule, so Starr sticks around to help the townsfolk — including a reform-minded judge's daughter — break the gang's grip. A classic singing-cowboy oater from Rogers's peak Republic years, the film entered the public domain through non-renewal.

Western · Music

Cowboy Dan Somers and oilman Jim "Hunk" Gardner square off over drilling rights on Indian land in Oklahoma — and over schoolteacher Catherine Allen — in a feud that escalates from fists to sabotage to a race against a burning oil field. John Wayne stars opposite Martha Scott and Albert Dekker, with Gabby Hayes, Marjorie Rambeau, and Dale Evans. One of Republic's biggest pictures of 1943, later reissued as War of the Wildcats. The film entered the public domain through non-renewal.

Western · Romance · Drama

When Gabby Kendrick refuses to breed his prize stallion Golden Sovereign to Roy Rogers' mare, fate intervenes — the horses run off, a rustler's bullet kills the Sovereign, and Roy is blamed and jailed. A year later he returns with Trigger, the Sovereign's son, determined to clear his name. Roy Rogers, Dale Evans, and Gabby Hayes star in the film Republic used to explain how the smartest horse in the movies came to Roy. It is in the public domain after its copyright was not renewed.

Western · Music

John Wayne plays Sheriff John Higgins, who resigns in disgrace after believing he has killed his own best friend in a shootout, and takes to the desert as a prospecting recluse. When his dead friend's sister Bess (Lucile Browne) arrives to run the ranch and is targeted by the real killer, Higgins is pulled back into the fight to clear his conscience. One of the sixteen Lone Star westerns Wayne made for Monogram in the mid-1930s under director Robert N. Bradbury, all shot fast and cheap around Lone Pine and all built around Wayne's still-forming screen persona — the easy drawl, the moral guilt, the horsemanship that would carry him to Stagecoach four years later. The film entered the public domain through non-renewal of copyright.

Western

A string of murders has witnesses giving identical descriptions of a man seen leaving each scene — Jerome Breen, a wealthy philanthropist who has been deaf and mute since birth and could not possibly have been overheard. Lionel Atwill plays Breen in a Monogram old-dark-house mystery directed by Phil Rosen, with Sheila Terry as the reporter convinced there is more to the suspect than his affliction suggests, and Paul Hurst as the detective working the case. The solution, when it comes, is a genuinely nasty piece of pre-Code plotting. Made the same year Atwill headlined Mystery of the Wax Museum, it shows why he was the era's go-to man for quiet menace. The film is in the public domain.

Mystery · Crime · Thriller