Edward Sedgwick

Buster Keaton's most successful sound picture, directed by Edward Sedgwick for MGM. Keaton plays Elmer J. Butts, a wealthy young man who accidentally enlists in the army during World War I after trying to follow his girlfriend's brother into the service. Through a series of mix-ups, the hapless millionaire finds himself in the trenches of France, where his ineptitude becomes an asset. The film was Keaton's biggest box office success of the sound era, though by his own account he had minimal creative control—the gags were largely devised by Sedgwick and the MGM story department. Still, Keaton's physical comedy shines through, particularly in a memorable sequence where he disguises himself as a tree. The film is in the public domain.

Comedy · War

A Buster Keaton sound comedy directed by Edward Sedgwick for MGM. Keaton plays Reginald Irving, a hotel clerk who is recruited to impersonate a playboy in order to help a wealthy man convince his girlfriend's disapproving sister that he has a respectable friend. The scheme requires Irving to romance the sister, leading to a series of comic complications across multiple hotel rooms. The film is a bedroom farce in the classic mode, but Keaton's minimal creative control at MGM is evident—the gags are more dialogue-driven than his silent masterpieces, and his physical comedy is constrained by the studio's formula. Still, Keaton's timing and presence elevate the material above the average MGM comedy of the period. The film is in the public domain.

Comedy

A Buster Keaton sound comedy directed by Edward Sedgwick for MGM, co-starring Jimmy Durante and Thelma Todd. Keaton plays a sheltered professor who inherits a fortune and, believing he has only months to live, joins a traveling musical show to experience life. Durante plays the show's manager, and Todd is the performer who catches the professor's eye. The film pairs Keaton's deadpan physical comedy with Durante's manic energy, an MGM attempt to replicate the comedy-duo formula. While Keaton's creative control was limited under MGM, the film features some fine physical sequences and the contrast between the two comedians' styles is genuinely funny. The film is in the public domain.

Comedy

Buster Keaton's last true silent feature, made after his move to MGM and the last film over which he retained real creative control. He plays a tintype photographer who falls for a studio secretary and decides the way to win her is to become a newsreel cameraman. The gags are built around the camera and the newsreel business: a botched assignment at a Chinese tong war, a famous single-take baseball sequence filmed at Yankee Stadium, and a runaway bedroom that rolls down a hill with Keaton trapped inside. The chemistry with Marceline Day is easy and unforced. MGM would soon team Keaton with sound pictures and a production process that ground him down, which is why The Cameraman is often called the end of his golden period. The 1928 film entered the United States public domain on January 1, 2024.

Comedy · Romance · Silent