Donald Crisp

A sequel to The Mark of Zorro (1920), with Douglas Fairbanks now playing Don Cesar, the son of the original Zorro, in Spain rather than California. Framed for the murder of a rival archduke, he fakes his death and returns to clear his name and win back the woman he loves. Fairbanks produced and starred, and Donald Crisp directed while also playing Don Cesar's father. The swordplay is elaborate even by Fairbanks's standards, and the film leans into the swashbuckling spectacle that made him the action star of the silent era. Published in 1925, it is in the public domain in the United States.

Adventure · Action · Romance · Silent

A spoiled rich man and the woman who turned down his proposal end up alone together on an abandoned ocean liner drifting out to sea. Neither can cook, open a can, or manage the simplest chore, and the comedy comes from watching two helpless people improvise a household on an enormous scale, rigging kitchen gadgets with ropes and pulleys. When the ship drifts near a cannibal island, Rollo has to fend off boarders in a deep-sea diving suit, and the famous underwater sequences were filmed in a real tank with Keaton inside the heavy gear. The ship was a real decommissioned passenger liner the production bought for the shoot. Keaton co-directed with Donald Crisp and performed his own stunts.

Comedy · Action · Silent

D.W. Griffith's tragic melodrama, subtitled *The Yellow Man and the Girl*, was his deliberate turn away from spectacle toward intimacy after the scale of *Intolerance*. Lillian Gish gives one of the great performances of the silent era as Lucy, the abused daughter of a brutal London prize-fighter (Donald Crisp), who finds fleeting tenderness with Cheng Huan (Richard Barthelmess), a Chinese shopkeeper whose dreams of peace have curdled in the Limehouse fog. The interracial romance at its center was daring for 1919, though the casting and caricature reflect the era's prejudices. Shot in hazy, oppressive studio interiors, it is among Griffith's most visually beautiful films. Published in 1919, it is in the public domain in the United States.

Drama · Romance · Silent

A sequel to The Mark of Zorro (1920), with Douglas Fairbanks now playing Don Cesar, the son of the original Zorro, in Spain rather than California. Framed for the murder of a rival archduke, he fakes his death and returns to clear his name and win back the woman he loves. Fairbanks produced and starred, and Donald Crisp directed while also playing Don Cesar's father. The swordplay is elaborate even by Fairbanks's standards, and the film leans into the swashbuckling spectacle that made him the action star of the silent era. Published in 1925, it is in the public domain in the United States.

Adventure · Action · Romance · Silent

A 1951 MGM drama directed by Arthur Pierson. Defeated for re-election to the state legislature, Blake Washburn (Jeffrey Lynn) blames local manufacturer John MacFarland (Donald Crisp) and takes over his uncle's small-town newspaper to crusade against big business. When tragedy strikes his own family, Blake is forced to reconsider his crusade. The film is best remembered today for an early role by Marilyn Monroe as office secretary Iris Martin — a small part, but one of her first credited screen appearances. The film is in the public domain.

Comedy · Drama

John Barrymore gives one of his great performances as Svengali, the grotesque, mesmeric music teacher who hypnotizes the artists' model Trilby (Marian Marsh) into becoming a famous singer — and destroys himself loving what he created. Adapted from George du Maurier's 1894 novel Trilby, the novel that gave English the word "svengali" for a manipulative mentor. Directed by Archie Mayo for Warner Bros., with expressionist sets that turn the hypnosis sequences into genuine nightmare imagery. The film is in the public domain.

Drama · Romance · Horror

John Ford, serving as a commander in the U.S. Naval Reserve, was on Midway Island when the Japanese attacked in June 1942 and was wounded while filming. The result is one of the first American combat documentaries of the war, shot in color and built around the pivotal naval battle that broke the back of the Japanese carrier fleet. The film shifts between the calm of island life, the chaos of the attack, and the recovery of American airmen from the sea. Hollywood voices including Henry Fonda, Donald Crisp, and Jane Darwell narrate, giving the footage a human, almost home-front tone. It won the Academy Award for Best Documentary. As a work of the U.S. federal government, the film is in the public domain.

War · Documentary

A nobleman's son vows revenge after pirates murder his father, so he infiltrates the pirate band to destroy it from within. Douglas Fairbanks produced, starred in, and drove this swashbuckler, performing his own stunts including the famous slide down a sail on the point of a knife. The film is one of the earliest feature-length pictures shot entirely in two-strip Technicolor, and the limited red-and-green palette gives it a storybook look unlike anything else from the silent era. Fairbanks pushed the budget to roughly $1.3 million, an enormous sum at the time, which limited the profit even though the picture was a hit. The Black Pirate is a landmark of color filmmaking and one of the great action spectacles of the 1920s. It entered the public domain in the United States in 2022.

Adventure · Action · Silent

Leif Eriksson leads a Viking expedition to the North American coast, where love and rivalry divide the Norsemen against the skraelings they encounter. Pauline Starke and Donald Crisp star in this early Technicolor sound feature. The film entered the public domain through non-renewal.

Adventure · Drama