Bryan Foy

The first full-length all-talking feature film, released by Warner Bros. in the middle of the sound transition. The plot is a routine gangster story: two barbershop owners get pulled into a Broadway bootlegging operation and a murder they did not commit. What matters about the film is not the story but the fact that every line of dialogue was recorded and played back in sync, which audiences in 1928 had never seen in a feature. The technology was primitive, the actors were often stiff from playing to fixed microphones, and the film was widely mocked even at the time for its awkwardness. But it was a hit, and it proved that audiences would sit through a feature-length talkie. It is a historical artifact more than a great film, but the history it marks is a real one. The 1928 film entered the United States public domain on January 1, 2024.

Crime · Drama

A burglar who listens in on police radio to stay a step ahead of the law shoots a Los Angeles officer and becomes the target of a citywide manhunt. The film follows the police investigation step by step, the forensics, the informants, the dead ends, and the final chase through the storm drains under the city. It is loosely based on the real crime spree of Erwin "Machine-Gun" Walker, a former police department employee who terrorized Los Angeles in 1946. Richard Basehart is cold and precise as the killer, and John Alton's cinematography turns the night streets and the underground tunnels into something close to a nightmare. The film is also the unlikely origin of Dragnet: Jack Webb met the production's police technical advisor on set, and that conversation led him to create the radio show. The film entered the public domain due to non-renewal of its copyright.

Crime · Noir

A batch of freshly printed counterfeit bills traced to imprisoned counterfeiter Tris Stewart sends the U.S. Treasury Department scrambling, so agents engineer his escape and turn him loose — betting he will lead them to the engraving plates. Stewart plays both sides, rekindling things with his girlfriend Meg while undercover agent John Downey closes in. Lloyd Bridges is the slippery counterfeiter, with Barbara Payton as Meg and John Hoyt as the agent on his tail. Richard Fleischer directs this lean semi-documentary noir in the style of T-Men, shot on location around Los Angeles. The film entered the public domain through non-renewal.

Crime · Noir · Drama