Belle Bennett

A small-town woman marries a wealthy man, finds herself out of place in his social world, and eventually sacrifices her own happiness for the sake of her daughter's future. Belle Bennett gives the definitive performance of the mother who, recognizing that her daughter will have a better life without her, steps aside and lets the girl's father and his new wife raise her. Ronald Colman plays the husband, and Lois Moran the daughter who grows up ashamed of her mother and then too late realizes what she has lost. Henry King directs with the emotional directness that made the film a major hit. The story was filmed again in 1937 with Barbara Stanwyck. Published in 1925, it is in the public domain in the United States.

Drama · Romance · Silent

Douglas Fairbanks' sequel to his 1921 hit The Three Musketeers, and the last of his great swashbucklers. He plays D'Artagnan, racing to protect the rightful King of France from the schemes of Cardinal Richelieu and the masked prisoner who may hold the secret of the throne. The Iron Mask is a part-talkie, one of the few films in which Fairbanks spoke on camera, and his farewell to the silent action hero he had defined for a decade. The stunts are fewer than in his earlier pictures, and the tone is darker, with a tragic ending that surprised audiences used to seeing him win. Allan Dwan directed, and the production was mounted with Fairbanks' usual ambition. Published in 1929, it entered the public domain in the United States on January 1, 2025.

Adventure · Action · Silent

A 1929 American pre-Code romantic drama directed by E. Mason Hopper, starring Norma Shearer, Belle Bennett, Lewis Stone, and Robert Montgomery. Lally Marlett (Shearer) is devastated when her father divorces her mother to marry another woman. While on vacation, she falls in love with Jack Cheever (Montgomery) — only to discover he is the son of her father's new wife. The film was adapted by Frances Marion from the novel by Sarita Fuller. Norma Shearer was nominated for the Academy Award for Best Actress for this performance, but lost to herself for The Divorcee. It was the last MGM film released in the 1920s.

Drama · Romance