Arthur Howard

D.W. Griffith's tragic melodrama, subtitled *The Yellow Man and the Girl*, was his deliberate turn away from spectacle toward intimacy after the scale of *Intolerance*. Lillian Gish gives one of the great performances of the silent era as Lucy, the abused daughter of a brutal London prize-fighter (Donald Crisp), who finds fleeting tenderness with Cheng Huan (Richard Barthelmess), a Chinese shopkeeper whose dreams of peace have curdled in the Limehouse fog. The interracial romance at its center was daring for 1919, though the casting and caricature reflect the era's prejudices. Shot in hazy, oppressive studio interiors, it is among Griffith's most visually beautiful films. Published in 1919, it is in the public domain in the United States.

Drama · Romance · Silent