Anthony Bushell

Stockholm, 1918: a French spy running a high-fashion dress shop, played by Vivien Leigh, falls for the German counterintelligence chief assigned to catch her, played by Conrad Veidt. Both know what the other is; neither can quite stop. Victor Saville directs the London Films production as an elegant cat-and-mouse romance where every ballroom scene doubles as tradecraft. Leigh, on the verge of Gone with the Wind, and Veidt, the great German exile who had played Cesare in Caligari, make an improbably magnetic pair, and the neutral Swedish setting lets the film keep its sympathies ambiguous. It is in the public domain in the United States.

War · Romance · Thriller

Often called the first British horror film of the sound era, The Ghoul stars Boris Karloff as Professor Morlant, a dying Egyptologist who demands to be buried with a sacred jewel he believes will grant him eternal life. When the gem is stolen from his tomb, Morlant rises from the grave to reclaim it, stalking the heirs and hangers-on who have gathered at his gloomy estate. The cast is a remarkable roll of British talent: Cedric Hardwicke, Ernest Thesiger, Dorothy Hyson, and Ralph Richardson in his feature film debut. Produced by Michael Balcon for Gaumont-British and directed by T. Hayes Hunter, the film was considered lost for decades until a print surfaced in the 1980s. It is in the public domain in the United States.

Horror