Al St. John

A silent Western comedy directed by and starring Roscoe "Fatty" Arbuckle, with Buster Keaton and Al St. John in supporting roles. The film is a parody of Western movie conventions, with Arbuckle as a drifter who arrives in a lawless frontier town, tangles with a saloon owner, and rescues a damsel in distress. Keaton, still in his early years as a supporting player in Arbuckle's Comique films, has a smaller role but already displays the comic precision that would make him a star. The film features the kind of rough-and-tumble slapstick that defined Arbuckle's Comique comedies, with plenty of barroom brawls, pratfalls, and visual gags. The film is in the public domain.

Comedy · Western · Silent

The High Sign is a 1921 silent comedy short co-directed by and starring Buster Keaton, with Edward F. Cline. Although made first, Keaton shelved it, considering it too close to his earlier Arbuckle-era style, and it was released later the same year. Keaton plays a drifter who joins a secret society called the Blinking Buzzards and is hired to assassinate a wealthy man, only to end up protecting him instead. The short features Keaton's famous homemade newspaper-reading gag. As a 1921 work, the film is in the public domain.

Comedy · Crime

The Scarecrow is a 1920 silent comedy short co-directed by and starring Buster Keaton, with Edward F. Cline. Keaton and Joe Roberts play farmhands sharing a room filled with Rube Goldberg-style space-saving contraptions. When Keaton is chased by Roberts after a misunderstanding involving Roberts' daughter, he disguises himself as a scarecrow. The short features one of Keaton's most celebrated chase sequences and a memorable scene where he runs through a house while it collapses around him. As a 1920 work, the film is in the public domain.

Comedy

Tillie's Punctured Romance is a 1914 silent comedy film directed by Mack Sennett for Keystone Studios, distributed by Mutual Film. The first feature-length comedy ever made, it stars Charlie Chaplin (in his first feature role), Marie Dressler, and Mabel Normand. Chaplin plays a city con man who seduces a farmer's daughter (Dressler) for her money, only to abandon her when he discovers she's been disinherited. The film was based on Dressler's stage success Tillie's Nightmare and was a massive hit, helping establish Chaplin as a major star. As a 1914 work, the film is in the public domain.

Comedy