Adolphe Menjou
9 credits on HibingeTV
American actor whose polished mustache and tailored suits made him the quintessential man-about-town of Hollywood's early decades. Born in 1890, he began in silent films and rose to stardom as Dr. Raoul de St. Hubert in The Sheik (1921) and the lead in Charlie Chaplin's A Woman of Paris. His urbane style carried easily into sound films, and he earned a Best Actor nomination for The Front Page (1931). He worked steadily through the 1950s as a character actor.
Acted In

Drama, Romance
Frank Borzage's adaptation of Ernest Hemingway's World War I novel. Gary Cooper plays an American ambulance driver on the Italian front who falls in love with an English nurse, played by Helen Hayes in her screen debut. The romance unfolds against retreats, bombardments, and a hospital in Switzerland. The film's copyright was not renewed, placing it in the public domain.
Drama · Romance · War
A Farewell to Arms
1932 - as Major Rinaldi

Drama, Romance
A 1937 American Technicolor drama film produced by David O. Selznick and directed by William A. Wellman, starring Janet Gaynor as an aspiring Hollywood actress and Fredric March as a fading movie star who helps launch her career. The screenplay was written by Wellman, Robert Carson, Dorothy Parker, and Alan Campbell. At the 10th Academy Awards, it became the very first color film to be nominated for the Academy Award for Best Picture, and it received an honorary award for cinematographer W. Howard Greene. The film was remade in 1954 (with Judy Garland) and 1976 (with Barbra Streisand) and 2018 (with Lady Gaga). The supporting cast features Adolphe Menjou, May Robson, Andy Devine, Lionel Stander, and Owen Moore. The film entered the public domain due to non-renewal of its copyright.
Drama · Romance
A Star Is Born
1937 - as Oliver Niles

Drama, Romance
Charlie Chaplin's first serious drama, written and directed by him as a starring vehicle for his longtime leading lady Edna Purviance—Chaplin himself appears only in a brief, uncredited cameo. Marie St. Clair (Purviance) believes she has been abandoned by her lover Jean and moves to Paris, where she becomes the mistress of wealthy playboy Pierre Revel (Adolphe Menjou). Years later, Jean reappears, and Marie must choose between respectability and the glamorous life she has built. Chaplin's sophisticated approach to adult relationships, his satirical eye for high society, and his rejection of melodramatic conventions stunned audiences and critics. The film was a commercial failure but influenced directors from Lubitsch to Renoir, and is now regarded as one of the great silent dramas. The film is in the public domain.
Drama · Romance · Silent
A Woman of Paris
1923 - as Pierre Revel

Comedy, Drama
An aspiring young actress keeps her famous actor father a secret to avoid accusations of nepotism, while he refuses to acknowledge her publicly to protect his own career. Adolphe Menjou and Andrea Leeds star in this backstage drama directed by cinematographer-turned-director Karl Freund. The film entered the public domain through non-renewal.
Comedy · Drama
Letter of Introduction
1938 - as John Mannering

Romance, Drama
Josef von Sternberg's first Hollywood film with Marlene Dietrich, made immediately after The Blue Angel launched her to stardom. She plays Amy Jolly, a cabaret singer who arrives in Morocco with no money and fewer illusions, and falls for a Legionnaire played by Gary Cooper. Adolphe Menjou is the wealthy man who offers her everything except the one thing she wants. The film is famous for Dietrich's performance in a man's tailcoat, kissing a woman in the audience, a scene considered scandalous in 1930. Lee Garmes's photography wraps the desert and the nightclub in the same haze of smoke and shadow. Dietrich received the only Academy Award nomination of her career for this role. Published in 1930, it entered the public domain in the United States on January 1, 2026.
Romance · Drama · War
Morocco
1930 - as Monsieur La Bessière

Comedy, Drama
A star reporter about to leave the newspaper business for marriage is roped back in by his wily editor for one last story, the execution of an anarchist. Lewis Milestone's fast-talking adaptation of the Hecht and MacArthur play defined the newspaper comedy and later inspired His Girl Friday. The film entered the public domain through non-renewal.
Comedy · Drama
The Front Page
1931 - as Walter Burns

Comedy, Romance
Ernst Lubitsch's first American film for Warner Bros. is the crystalline comedy of manners that critics would later call the "Lubitsch Touch" in its purest early form. Around a circle of suspected and real infidelities in Vienna, Lubitsch suggests everything and states nothing, letting a glance, a closed door, or a misplaced glove carry the joke. Florence Vidor plays a wife whose faith in her husband is tested by the scheming of her unhappily married friend, and Adolphe Menjou is the physician at the center of the misunderstandings. The film was a hit and established Lubitsch as a Hollywood director of sophisticated comedy. He remade it as the musical One Hour with You (1932). The film entered the public domain in the United States in 2020.
Comedy · Romance · Silent
The Marriage Circle
1924 - as Dr. Franz Braun

Romance, Adventure
Based on E.M. Hull's bestselling 1919 novel, The Sheik made Rudolph Valentino a star almost overnight. Agnes Ayres plays Lady Diana Mayo, a headstrong Englishwoman who insists on traveling alone into the Algerian desert, only to be abducted by Sheik Ahmed Ben Hassan, a desert chief who falls in love with his captive. The film is a silent romantic adventure of the desert-romance school, all tents and horses and yearning close-ups, and it struck a nerve with 1921 audiences that few films before or since have matched. Valentino's dark, smoldering presence became a cultural phenomenon. The portrayal has not aged well in every respect, but the film's place in cinema history is secure as the picture that defined a new kind of leading man. It was published in 1921 and is in the public domain in the United States.
Romance · Adventure · Silent
The Sheik
1921 - as Dr. Raoul de St. Hubert

Drama, Silent
D.W. Griffith's lavish adaptation of Marie Corelli's bestselling novel. A penniless writer (Ricardo Cortez) is granted wealth and fame by a suave stranger (Adolphe Menjou) who is Satan in disguise, only to find that every wish brings misery, while the woman who truly loves him (Carol Dempster) stands beyond his corrupted reach. One of Griffith's most expensive productions, the film pairs its Faustian plot with opulent sets and a European cast including Lya De Putti. As a work published before 1930, it is in the public domain in the United States.
Drama · Silent
The Sorrows of Satan
1926 - as Prince Lucio de Rimanez