Producers Releasing Corporation

In 19th-century Paris, puppeteer and portrait painter Gaston Morrell strangles the models who pose for him, while police hunt the killer the newspapers call Bluebeard. John Carradine gives one of his finest performances as the tormented Morrell, with Jean Parker as the dressmaker who loves him and Nils Asther as the inspector on his trail. Made on a five-day PRC schedule, it's poverty-row stylist Edgar G. Ulmer's most admired film — moody, literate, and shot with genuine atmosphere. It is in the public domain after its copyright was not renewed.

Crime · Horror · Noir

Ralph Byrd, then riding high as the screen's Dick Tracy, stars as Tony Bronson, a pilot whose plane is hijacked mid-flight over the Caribbean by a gang after the payroll he's carrying. When the plane goes down on a remote island, Bronson has to outwit the hijackers with help from a stranded showgirl troupe. Directed by William Beaudine — the famously tireless "One Shot" of Poverty Row — Desperate Cargo is a brisk PRC programmer that packs a hijacking, a crash, and a jungle standoff into barely an hour. The film's copyright was never renewed, placing it in the public domain.

Adventure · Crime · Thriller

Al Roberts is a piano player hitchhiking from New York to Los Angeles to find his girlfriend, a singer who left to try her luck on the coast. He is picked up by a man who dies, and Al takes the man's identity and his car to avoid being blamed. Then he picks up Vera, a woman who knew the dead man and who decides to use what she knows against him. The film was shot in under a week on a tiny budget, and it is one of the bleakest films noir ever made. Edgar G. Ulmer uses voiceover, rear projection, and obvious sets to make the world feel closed in, and the story Al tells is so unreliable that the truth of what happened is never clear. The film entered the public domain due to non-renewal of its copyright.

Noir · Drama

Haunted by a recurring dream in which a suave stranger seduces his widowed mother, teenager Paul Cartwright (Jimmy Lydon) becomes convinced that the man — Brett Curtis (Warren William) — murdered his father. Edgar G. Ulmer's poverty-row Hamlet, made on PRC's tiny budgets with his signature hallucinatory style, proves atmosphere doesn't require money. Curtis's oily charm does the rest. One of the most admired of Ulmer's "stylish cheapies," the film is in the public domain.

Noir · Mystery · Thriller

Bela Lugosi plays a small-town chemist who breeds a giant bat and trains it to attack anyone wearing a cologne he invented. He uses it to take revenge on the family he believes cheated him, handing out the cologne as a free sample and then sending the bat after each victim. A reporter and his photographer, played by the comic team of Dave O'Brien and Donald Kerr, arrive to investigate the strange deaths. It was the first horror film from Producers Releasing Corporation, one of the poverty-row studios, and Lugosi gives it more gravity than the budget deserves. The film was a surprise hit and PRC made a fortune on it. It entered the public domain and has circulated in countless cut and restored versions ever since.

Horror · Comedy

The Mad Monster is a 1942 horror film directed by Sam Newfield and produced by Sigmund Neufeld for Producers Releasing Corporation. George Zucco plays Dr. Lorenzo Cameron, a discredited scientist who injects his simple-minded handyman Petro (Glenn Strange) with a serum derived from wolf's blood, transforming him into a werewolf. Cameron unleashes his creation on the colleagues who ruined his career, while reporter Tom Gregory (Johnny Downs) and Cameron's daughter Lenora (Anne Nagel) close in on the truth. A quickie knock-off of Universal's monster pictures, it gave Glenn Strange an early turn as a screen monster before he played Frankenstein's creature at Universal. The film is in the public domain through non-renewal.

Horror · Sci-Fi

In 19th-century Paris, puppeteer and portrait painter Gaston Morrell strangles the models who pose for him, while police hunt the killer the newspapers call Bluebeard. John Carradine gives one of his finest performances as the tormented Morrell, with Jean Parker as the dressmaker who loves him and Nils Asther as the inspector on his trail. Made on a five-day PRC schedule, it's poverty-row stylist Edgar G. Ulmer's most admired film — moody, literate, and shot with genuine atmosphere. It is in the public domain after its copyright was not renewed.

Crime · Horror · Noir

A small town is shaken when a high school girl's death is ruled suicide — until a reporter and a detective dig into the dance halls and shady hangouts preying on local teens. June Carlson, Fifi D'Orsay, and Margia Dean star in this PRC "juvenile delinquency" exposé, wartime exploitation fare that mixed moral panic with low-budget crime thrills. Directed by Albert Herman. It is in the public domain after its copyright was not renewed.

Crime · Drama

Ralph Byrd, then riding high as the screen's Dick Tracy, stars as Tony Bronson, a pilot whose plane is hijacked mid-flight over the Caribbean by a gang after the payroll he's carrying. When the plane goes down on a remote island, Bronson has to outwit the hijackers with help from a stranded showgirl troupe. Directed by William Beaudine — the famously tireless "One Shot" of Poverty Row — Desperate Cargo is a brisk PRC programmer that packs a hijacking, a crash, and a jungle standoff into barely an hour. The film's copyright was never renewed, placing it in the public domain.

Adventure · Crime · Thriller

Haunted by a recurring dream in which a suave stranger seduces his widowed mother, teenager Paul Cartwright (Jimmy Lydon) becomes convinced that the man — Brett Curtis (Warren William) — murdered his father. Edgar G. Ulmer's poverty-row Hamlet, made on PRC's tiny budgets with his signature hallucinatory style, proves atmosphere doesn't require money. Curtis's oily charm does the rest. One of the most admired of Ulmer's "stylish cheapies," the film is in the public domain.

Noir · Mystery · Thriller

A 1943 Poverty Row mystery-horror film directed by Sam Newfield and produced by Sigmund Neufeld for Producers Releasing Corporation. On a stormy night, a group of strangers—including an eloping couple, an embezzling bank teller, and a gangster—take shelter at the Black Raven inn, run by the mysterious Amos Bradford (George Zucco), known in the underworld as "The Raven." When a murder occurs and the roads wash out, the trapped travelers begin to suspect each other. The film co-stars Wanda McKay, Robert Livingston, and Charles Middleton. The film is in the public domain.

Mystery · Crime · Horror

Bela Lugosi plays a small-town chemist who breeds a giant bat and trains it to attack anyone wearing a cologne he invented. He uses it to take revenge on the family he believes cheated him, handing out the cologne as a free sample and then sending the bat after each victim. A reporter and his photographer, played by the comic team of Dave O'Brien and Donald Kerr, arrive to investigate the strange deaths. It was the first horror film from Producers Releasing Corporation, one of the poverty-row studios, and Lugosi gives it more gravity than the budget deserves. The film was a surprise hit and PRC made a fortune on it. It entered the public domain and has circulated in countless cut and restored versions ever since.

Horror · Comedy

The Mad Monster is a 1942 horror film directed by Sam Newfield and produced by Sigmund Neufeld for Producers Releasing Corporation. George Zucco plays Dr. Lorenzo Cameron, a discredited scientist who injects his simple-minded handyman Petro (Glenn Strange) with a serum derived from wolf's blood, transforming him into a werewolf. Cameron unleashes his creation on the colleagues who ruined his career, while reporter Tom Gregory (Johnny Downs) and Cameron's daughter Lenora (Anne Nagel) close in on the truth. A quickie knock-off of Universal's monster pictures, it gave Glenn Strange an early turn as a screen monster before he played Frankenstein's creature at Universal. The film is in the public domain through non-renewal.

Horror · Sci-Fi

A mad scientist becomes obsessed with a concert pianist's daughter and, when she rejects him, injects the pianist with a serum that causes acromegaly, the glandular disease that hideously enlarges the face and extremities. He offers the cure only in exchange for the daughter's hand. J. Carrol Naish plays the villain with relish, and the film uses the real, disfiguring effects of the disease as its horror rather than a fictional monster. A cheap, brisk PRC production from the prolific director Sam Newfield, it is a solid example of 1940s Poverty Row horror. The film is in the public domain.

Horror · Sci-Fi