Jesse L. Lasky Feature Play Company

An anti-Mormon silent drama directed by Robert Z. Leonard and produced by Jesse L. Lasky's Feature Play Company. Mae Murray stars as Dora Hogue, a young woman traveling west with her family when their cabin is overtaken by a Mormon caravan. An elder demands Dora as his plural wife, setting in motion a melodramatic conflict that capitalizes on the anti-Mormon sentiment prevalent at the time. Frank Borzage — better known today as one of Hollywood's great directors — appears as an actor in the role of Tom Rigdon. The film was originally eight reels but cut to five before release. As a work published before 1930, the film is in the public domain in the United States.

Drama · Silent

Cecil B. DeMille's 1915 adaptation of Prosper Merimee's 1845 novella, the source material for Bizet's famous opera. Metropolitan Opera soprano Geraldine Farrar made her film debut as the gypsy Carmen, a wilful seductress who lures a soldier away from duty and into ruin. DeMille had intended to film the opera itself but its libretto was under copyright, so he had his brother William base the scenario on the public domain novella, whose Carmen is more calculating than the operatic version. Wallace Reid plays Don Jose, the officer destroyed by his obsession. The film was a major hit and established Farrar as a screen star. Existing prints derive from a re-edited 1918 re-release. As a work published before 1930, it is in the public domain in the United States.

Drama · Romance · Silent

A venal socialite embezzles from a charity and turns to a Burmese ivory trader to cover the loss, only to find he expects her body as payment. When she tries to renege, he brands her with a hot iron. Cecil B. DeMille's 1915 melodrama was selected for preservation in the National Film Registry for its significance and for Sessue Hayakawa's landmark performance, which made him one of the first Asian stars of American cinema and a genuine matinee idol. The film's treatment of race and sexuality was controversial even at the time: a Japanese-American newspaper in Los Angeles campaigned against it, and the 1918 re-release changed Hayakawa's character from Japanese to Burmese to avoid offending a wartime ally. Fannie Ward plays the spoiled wife whose recklessness sets the catastrophe in motion. As a work published before 1930, the film is in the public domain in the United States.

Drama · Crime · Silent