Edison Studios

The first known film adaptation of Mary Shelley's Frankenstein, produced by Edison Studios and directed by J. Searle Dawley. In this 12-minute silent short, Frankenstein (Augustus Phillips) creates his monster (Charles Ogle) not through electricity but through chemical means in a boiling cauldron, and the creature manifests as a skeletal apparition born of fire and smoke. Ogle designed his own monster makeup, creating a hunched, wild-haired figure that bears no resemblance to Boris Karloff's later icon but established the first screen image of Shelley's creation. The monster haunts Frankenstein's wedding night, a psychological torment that ends when the creature sees its own reflection and vanishes. Long believed lost, a print was rediscovered in the 1970s. The film is in the public domain.

Horror · Short · Silent

The film usually credited with proving movies could tell a real story. Four bandits hold up a railroad telegraph office, board the train, rob the mail car, and escape across the New Jersey countryside with a posse in pursuit — all in about twelve minutes. Edwin S. Porter made it for Edison's studio in 1903, cutting between the telegraph office, the train, and the chase in a way audiences had never seen. Its most famous image is a close-up of a bandit (Justus D. Barnes) firing his revolver point-blank at the camera, a shot exhibitors could place at the start or the end of the reel. Selected for the National Film Registry in 1990. As a work published before 1930, it is in the public domain in the United States.

Western · Crime · Silent